netLoungeDV 2002netLoungeDV 2002 IndexnetLoungeDV 2002 Index deutschInternationales Forum des jungen Films

[Index] [DV Films] [Essays] [Sponsors] [Forum] [About Us] [Info]

balken-schmal.
DV-Film Übersicht
Along the Railway 
 Du Haibin
The Box 
 Ying Weiwei
Dance with Farm Workers 
 Wu Weunguang
Leave Me Alone 
 Hu Shu
Railroad of Hope 
 Ning Ying
Seafood 
 Zhu Wen
Shanghai Panic 
 Andrew Cheng Yusu
Tiexi District 
 Wang Bing
August 
 Avi Mograbi
Camel(s) 
 Park Ki-Yong
L´Chayim, Comrade Stalin 
 Yale Storm
Looking forBusi  
 Robyn Hofmeyr
The Play is on 
 Pankaj Rishi Kumar
The Settlers 
 Ruth Walk
La ultima huella 
 Paola Ricardo
Wa´n wina 
 Dumisani Phakati
Corpus Callosum 
 Michael Snow
That´s my face 
 Thomas Allen Harris
The Soviets plus Electricity 
 Nicolas Rey

Israel / Frankreich 2002

13.02. 14.00 / Delphi
14.02. 12.45 / CinemaxX 3
14.02. 19.45 / Arsenal 1
15.02. 17.00 / Babylon

Format: 35mm, 1:1,66 (von DVCam), Farbe
Länge: 72 Minuten, 25 Bilder/Sek.
Sprache: hebräisch

Avi Mograbi believes that the month of August serves as a metaphor for whatever is hateful in the state of Israel. His wife, on the other hand, is rather fond of August, which represents to her all that is optimistic. And indeed, the filmmaker goes out to the street, and on one hand loses control over what is captured by his camera. Yet, on the other hand, he miraculously tells, by his failure to fulfill his mission and document what he was after, that very story, though in a totally different way from what he planned and without being aware of it at all. At the same time, in his home, his wife is taken captive by the producer of another film. This filmmaker is involved with a film concerning the massacre of tens of praying Moslem prayers by an Israeli physician in the cave of Machpela in the occupied town of Hebron in 1994. All three characters - the filmmaker, the filmmaker’s wife and the producer – are played by one person: Avi Mograbi. “The idea behind August was very similar to the one proposed in the film by the filmmaker’s wife: to make a film that would consist solely of violence, bickering, and anger. Just that. This is Israel, wherever you go, everything is fraught with violence.“ Avi Mograbi [aus dem Forumprogramm]

 

1 How would you describe the aesthetics of your film?

rough

2 Why did you choose to shoot on dv?

I have no other choise both artistically and financially.

3 What was special about shooting in dv (e.g.compared to 35mm, was it your first time with dv or are you used to it)?

I never shot 35mm, for me dv is an extention of my eye/arm, it enables me to be a one-man-unit

4 Which camera and which editing software did you use?

PD-150 and Adobe-Premiere

5 What was your shoot-edit ratio?

1:80

6 Would you have preferred to shoot in another format? If so which?

NO, maybe yes - 16mm Bolex with a spring

7 Does using dv mean that you are considering other means of distribution opposing the established? If so which?

no

8 One good word about dv (or two):

it allows horrible cameramen like myself shoot a film

9 One bad word about dv (or two):

it allows horrible cameramen like myself shoot a film

 

AVIDStonehead Cut

+++ the netLoungeDV is a project of slashCAM-VideoX +++